Simon, Z.: Travel as Introspection and Self-Discovery: The Early Journeys of Langston Hughes*.
In: Mítoszok bűvöletében : ünnepi kötet Virágos Zsolt Kálmán 70. születésnapjára = Enchanted by myth : a volume for Virágos Zsolt Kálmán on his 70th birthday. Szerk.: Németh Lenke [et al.], Debreceni Egyetemi Kiadó, Debrecen, 95-98, 2012. ISBN: 9789633182321

Simon, Z.: 'Thought there'd be huckleberries': Intertextual Game between Toni Morrison's Beloved and Mark Twain's The Adventures of Huckleberry Finn.
Eger J. Am. Stud. 12 (1-2), 489-498, 2011.

Varró, G., Simon, Z.: Introduction.
Americana. 7 (2), [5], 2011.

Simon, Z.: Élet mint szöveg: Franklin Számadása és a Számadás Franklinje".
In: A mondat becsülete : írások a hetvenéves Abádi Nagy Zoltán tiszteletére. Szerk.: Bényei Tamás, Bollobás Enikő, D. Rácz István, Debreceni Egyetemi Kiadó, Debrecen, 229-239, 2010.

Simon, Z.: "There Was Nothing to Write About": Hemingway's Comments on Communication in A Farewell to Arms.
In: Proceedings of the 8th Biennial Conference of HUSSE [elektronikus dokumentum]. Ed.: by Zoltán Dragon, Hungarian Society for the Study of English, Budapest, 1-8, 2008.

Simon, Z.: Technology and US Culture.
Debreceni Egyetem Angol-Amerikai Intézet, Debrecen, 180 p., 2008.

Simon, Z.: Faulkner's Pylon: A Neglected Commentary on Technology and the South.
Eger J. Am. Stud. 4 (1-2), 49-64, 2007.

Simon, Z.: The sublime of production and the production of the sublime in sherwood anderson's Poor White and Perhaps Women.
In: HUSSE papers 2003 : (Literature and Culture) : Proceedings of the 6th biennial conference of the Hungarian Society for the Study of English, University of Debrecen, (Debrecen), 209-217, 2004.

Simon, Z.: The double-edged sword: technological sublime in American novels between 1900 and 1940.
Akad. K., Budapest, 137 p., 2003.

Simon, Z.: From Lenox Avenue to the Charlottenborg palace: the construction of the image of Europe by Harlem renaissance authors.

Simon, Z.: Homosexuality and the family: redifining notions of marrige and family in contemporary gay and lesbian drama.